Artists
NHTI Visual Arts Capstone Showroom: Fall 2021
Represented
Exhibited
Click a name below to be directed to that artist's capstone.
Bethany Downs
Zachary Erickson
Aedan Graves
Moriah Sanborn
Bethany Downs
Artist Statement
I Am Intermission
Everyone experiences emotions. For me, color is emotion, emotion is color.
I am intermission is a twelve-panel narrative that encapsulates wildly different perspectives of
the world and presents them through a combination of ink, watercolor, and written word. In each
panel color not only contributes to making the image visible, but it transmits the emotion at the heart of the image.
I am Intermission is meant to open conversation about what you are seeing and the emotions
that visual experience generates. If I were to take away the written directive, how do you feel about what you see?
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Zachary Erickson
Artist Statement
In Loving Memory
Ever since the loss of my father, the ones who were there for me were my family. We helped each other and that’s when I realized that they are the most important people in my life. In this series of paintings, I am preserving the memory of my father and showcasing the bond that I have with my family.
My work consists of small intimate still-life paintings that contain objects relating to my family. In the largest still life, I have included a landscape that reflects my father’s enjoyment of the outdoors. Uniting the works is the appearance of my father’s funerary urn in each of the compositions.
I continue to be inspired by Duane Keiser’s small paintings of everyday objects and the artist Jim Mullen who combines still life compositions with backgrounds of landscapes that are both observed and imagined.
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Aedan Graves
Artist Statement
Reclamation
Reclamation is a series of three animated portraits, digitally altered with the addition of different types of floral and fungal growth.
Inspired by the surrealist works of Rene Magritte, I try to achieve a similar dreamlike eeriness in my work, but with the mediums of photography and animation. Through the deconstruction of the face and natural growth overtaking it, I explore the inherent connection we have with our natural environment.
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